Showing posts with label paintings. Show all posts
Showing posts with label paintings. Show all posts

Tuesday, May 1, 2012

St. Joseph the Worker

Teaching young Jesus how not to lose a finger to a plane.
Today is the feast of St. Joseph the Worker. This is a young saint day, established by Pope Pius XII in 1955 in response to Communist "May Day" celebrations. Other countries still observe May Day/International Worker's Day. (This includes my Romanian colleagues, lucky ducks.) Dear St. Joseph really does deserve extra days dedicated to his awesomeness. His wife has about a bazillion, after all. His vocation as spouse, parent, and laborer is something anyone can relate to.

Those are some legit clamps on that work bench. Source. 
I really could use some help in the labor department these days, since I'm still an underemployed twenty-something. The museum of my dreams liked me a lot, but decided to hire a good friend of mine instead. This one hurts. I hope that place and I can "still be friends," but this does feel an awful lot like a prom love triangle. To top it off, my awesome temp job is finally ending.

I feel terribly adrift, but really this change is the best thing to happen in a while. It's time for something new. Despite all the uncertainty, I have a feeling that God wouldn't let me lose my job unless He had something better in store. Guess I'll fire up the novenas again.

By John Collier. Via Terry Nelson at Abbey Roads. 

Last weekend I went to confession at a nearby church named for Jesus' foster father. As I knelt before his statue, I looked up and noticed the hatchet in Joseph's hands. And realized I'm an idiot.

Who better to ask for help in my job search than the patron saint of workers? Wouldn't Joseph love to examine some historic furniture with me? I'm sure he'd be great at identifying wood types or tool marks. Did he, like me, make a mess of things the first time he tried to use a gouge? Did he sneeze from all the wood shavings in his nose? I wonder what he would have thought of Thomas Chippendale's Director.

I tried some planing in Colonial Williamsburg last year. Photo courtesy of JRG. 
So St. Joseph the Worker, please pray for me to find a job. And pray for everyone adrift in this messy economy of ours, whether they are new graduates or old veterans hoping to retire. Remind us that no work is pointless if it's done for God.





Tuesday, February 22, 2011

Happy Birthday to my pal George

Did you ever play the totally nerdy party game of "who is your favorite Founding Father"? Of course I have, many times. As a self-respecting WM alum I cannot say the pompous "Mr. Jefferson." While I respect the intellects of John Adams and James Madison, and Benjamin Franklin's' wit, there is only one dead white male who can claim my heart- George Washington. Maybe it's because of  that Barry Bostwick miniseries that aired when I was a child, or the awesomeness of Mount Vernon's back piazza overlooking the Potomac, or his action hero/political patron saint status. Or maybe it's because our birthdays are a few days apart. Either way, my first president crush has not subsided.

As an early present to myself, I picked up this set of coasters at the museum's President's Day sale. They are like the "greatest hits" of the museum's Washington portraits, and I'd had my eye on them for weeks.

Clockwise from upper right we have:
  • George Washington at the Battle of Princeton-James Peale 1804 (Note the tragic battle death scenes happening in the background.)
  • George Washington as Commander-in-Chief of the Continental Army - Charles Peale Polk 1787-93 (There are about 70 copies of this "Princeton portrait" floating around various museum galleries)
  • George Washington Reviewing the Western Army at Fort Cumberland, the 18th of October 1794 - Frederick Kemmelmeyer, 1794-1800 (Go suppress that Whiskey Rebellion, G-dubs!)
  • Washington at Verplanck's Point - John Trumbull, 1790 (They say this was Martha's favorite portrait of her husband. This is also my favorite version of his horse.)

Sunday, December 26, 2010

the Holy Family, then and now

"Rest on the Flight Into Egypt" by Aert de Gelder, c. 1690. MFA Boston 57.182.
Did you ever notice how paintings from the Renaissance and after often depict Bible characters in contemporary clothing? This Holy Family is lovely, but they sure resemble 1690s Dutch people too. Of course to us, images like this just look old-timey. Would a Holy Family in modern dress seem jarring?

At Midnight Mass I started imaging what a contemporary Nativity scene would look like. A parking garage would be a good stable equivalent - if you can't find a hotel room, you have to sleep in the car. There would have to be some stray cats running around, and the shepherds could be construction workers doing some night paving. Then the magi would be oil sheiks who fund science research, and would fly in from Bahrain on their private jet.

Thursday, December 23, 2010

Material Culture Alert: The man in the big red suit

Last week my class had the wonderful opportunity to take a short end-of-semester field trip to the Boston area.  Part of the time was spent in the Museum of Fine Arts' new Art of the Americas wing, which is absolutely glorious. I couldn't help noticing a common theme throughout the portraits : the red suit.  In the eighteenth century textiles were costly, and so clothing in portraits could show off one's gentility and status. I was amazed how many examples there were of men in an outfit that is today reserved for Santa Claus. 

Here's Nathanial Sparhawk, painted by John Singleton Copley in 1768. He was a successful merchant in Maine, but his house was nowhere near as grand as this backdrop.


John Singleton Copley also painted Samuel Adams in a red suit around 1772.



Across the pond in England, Thomas Gainsborough painted this portrait of hospital benefactor John Eld of Seighford Hall, Stafford in 1775.

Here's French artist JeanJacques Caffieri, painted by Swede Adolf Ulric Werftmuller in 1784.


The red suit persisted through several decades, as this1793 painting of Bostonians Mr. and Mrs. Thomas Russell by John Trumbull. Their arm-in-arm pose was the latest trend from England.


I wonder what portrait fads will look funny to future generations. Maybe jumping photos of entire wedding parties?