Showing posts with label scripture. Show all posts
Showing posts with label scripture. Show all posts

Thursday, August 14, 2014

Of Museums, Monsters, And Men

Last week my cousin got married in Chicago, so we road tripped back to the Midwestern motherland for a family reunion. Along the way we found lots of cool history nerd places to visit, including thefor a Field Museum, which has great lakefront views, and the Cleveland Museum of Art, which has a gorgeous building and amazing new interactive technology displays. If you're ever driving through Ohio it's definitely worth a stop!


As I walked through halls of dinosaurs, ancient artifacts, and taxidermy specimens, verses from the Book of Job kept floating through my mind. Somewhere in Pennsylvania I had read its last few chapters aloud as part of the Office of Readings. Have you ever read the whole story of Job? It's way crazier than the usual summary of "Man loses everything but trusts God." There are pages and pages of esoteric speeches about the meaning of life while Job's knucklehead friends tell him he's suffering because of his sins. Finally God speaks and shuts up those morons. He tells Job to "Gird up your loins now, like a man," and then, frankly, He gets a little sarcastic. (In the King James translation Chapter 38 sounds like a string of Shakespearean insults.) Basically He's got a lot on his plate and you don't even know the half of what His job entails.
Have you ever in your lifetime commanded the morning and shown the dawn its place
For taking hold of the ends of the earth, till the wicked are shaken from it? ...
Have you comprehended the breadth of the earth? Tell me, if you know all...
Has the rain a father; or who has begotten the drops of dew?
Out of whose womb comes the ice, and who gives the hoarfrost its birth in the skies? 
Seriously, God is busier than Mufasa.
Do you hunt the prey for the lioness or appease the hunger of her cubs
While they crouch in their dens or lie in wait in the thicket?
Mountain goats, ostriches, wild oxen and asses, hawks, and noble steeds - God directs them all. He even created some mammoth monsters.

Behemoth "carries his tail like a cedar; the sinews of his thighs are like cables. 
His bones are like tubes of bronze; his frame is like iron rods."

Sue the T. Rex, Field Museum

When Leviathan "rises up, the mighty are afraid; the waves of the sea fall back ...
He regards iron as straw, and bronze as rotten wood ...
Who can force open the doors of his mouth, close to his terrible teeth?

Jonah Cast Up, 3rd Century, Cleveland Museum of Art
I'm still pondering what God's speech to Job exactly means. Its purpose is to debunk the loser friends' claim that Job's sufferings are punishment for his sins. So what is the real reason? Are our human problems puny compared to the wide cosmic actions of the universe? Should we trust that God is in control because He makes the sun rise and set every day? Or is the world so vast and mysterious that we can never fully understand why things happen the way they do?

Either way, it's clear that humanity has been marveling at the power of nature since the world began. Pondering these things is part of who we are. And honestly, I've found some comfort in thinking about those mountain goats crouching down in the desert and the "storehouses of the snow."



Tuesday, May 13, 2014

What is "Biblical Womanhood" Anyway?

The memoir of "a year doing X crazy lifestyle stunt" is a well-established book trend (gimmick?) right now,
and one I'm sure historians of the future will love trying to dissect. Personally, I think we love these stories because we're suspicious that modern life has all the keys to happiness, and it's nice to know that you can test drive other ways of living or find fulfillment by challenging yourself through some project.

Rachel Held Evans' A Year of Biblical Womanhood: How a Liberated Woman Found Herself  Sitting on Her Roof, Covering Her Head, and Calling Her Husband Master definitely fits this trend, and it's one of the best I've  read. It reminded me of Gretchen Rubin's The Happiness Project, with its reading list and monthly themes, but with the added fun of Biblical exegesis. Evens grew up in Evangelical Christianity, a church where the adjective "Biblical" serves as a stamp of approval and as a prescription for proper behavior. Through her year of exploring the women of the Bible, Evans analyzes her religious culture's expectations for women, especially how the domestic maven of Proverbs 31 often serves as an achievement checklist.

Rarely has anyone asked me if my life is "Biblical" enough, but being a Catholic woman comes with its own set of baggage. There aren't many saints who led a "regular" life - most swore off marriage and/or died grisly maiden deaths. You have to navigate modesty dress codes as well as vocation angst and the possibility that all the good men are either taken or discerning the priesthood. May crowning selection can feel like a homecoming  queen competition and then there are the debates over if and how to use things like NFP, homeschooling, and mantillas.

In her Year of Biblical Womanhood, Evans forces herself to tackle some of the feminine practices she's avoided, like learning to cook and sew. She puts coins in a swear jar of sorts every time she's "contentious" and practices silence at a monastery. Some of the more conservative habits, like head coverings and ritual impurity during menstruation, she's glad to abandon, but trying them gives her new-found respect for the more conservative women who embrace them. I loved her email friendship with an Orthodox rabbi's wife in Israel and visits with Amish women. In each new experience there are spiritual lessons and opportunities for humility and grace.

In Evans' own words, she also "subjects common assumptions regarding 'biblical womanhood' to an examination alongside the actual biblical texts and explores how hermeneutical biases are at work in our interpretation of this concept." Contextual analysis, Hebrew vocabulary, and even some goofy satire challenge buzzwords and sacred cows of Evangelical culture. For example, she turns Proverbs 31 on its head, countering that it was meant as a litany of praise for feminine genius, not a benchmark of requirements. The Bible doesn't uphold one master template of womanhood. Rather, its heroines are often outsiders, risk takers, and paradigm challengers.


There were many moments when I looked up from the page and thought, "Geez, I'm so glad I'm Catholic." The Blessed Mother's a lot to live up to, but at least we have a New Eve to balance out womankind's role in the Fall. Evans tells of preposterous sexism, like debates whether female Sunday school teachers violate Paul's order to be silent in church and wedding sermon admonitions that wives mustn't "let themselves go" lest their husbands be tempted to stray. Then there is the radical patriarchy crowd, which translates the Hebrew ezer, or helpmeet, as "personal assistant and comfort woman." Evans examines New Testament verses on marriage and realizes that Christian married sexuality is really about mutual self-giving and service. OMGJPIITOB! That's exactly it.

I'm so glad that I share my spiritual journey with courageous, outspoken women ranging from my namesake, Abraham's wife, all the way to philosopher and martyr Edith Stein.  I'm grateful for the Catholic tradition of celibacy in the religious life, which challenges the notions that women must live under a man's jurisdiction or that men are bundles of animal urges that must be properly satiated. Both scripture and the lives of the saints are packed with women who "prophesy," teach, and give witness.

Evans' book inspired me and also challenged some of my own preconceptions. Just as there is no exact Biblical woman prototype, there is no one papist female paradigm. (I like to call her "Catholic Barbie.") Fears of judgement reflect my own self-criticism, not the spiteful side-eye of ladies who love the rosary more than I. Women who wear veils to Mass or homeschool a large family aren't doing it to condemn me, just as I don't wear dresses to Mass just to spite my friend who shows up in jeans.

I was never enough of a "Little Flower" to be May Crowning material. At my First Communion, I was assigned the first reading instead - apparently my literacy trumped any appearance of delicate piety. And maybe I'm ok with that. Literacy is a gift I have to offer. I still read at Mass, and being a lector makes me feel connected to the life of our parish.

Last week I did another First Reading, this time an excerpt of the Acts Pentecost speech. When I lost myself in the words, I could feel Peter and the Psalmist moving through me. At that moment, I wasn't just my literate self; I was a vehicle for the Holy Spirit, just one of many down the line. That's what God calls all of us women to be. 

Friday, April 6, 2012

Wounded

I am forgotten like the unremembered dead; I am like a dish that is broken
Psalm 31 


"The 5 Wounds of Our Lord" from The Glossary of Ecclesiastical Ornament &Costume
by A.W.N. Pugin, 1844. March "Print of the Month" at the Victoria and Albert Museum. 

 My life is like a broken bowl,
 A broken bowl that cannot hold 
One drop of water for my soul 
Or cordial in the searching cold; 
Cast in the fire the perish’d thing; 
Melt and remould it, till it be 
A royal cup for Him, my King: 
O Jesus, drink of me.



Tuesday, April 3, 2012

Girl-Power Bible Movies

This Lent I've had less time for my traditional Jesus film festival, but I have managed to catch a few Biblical epics. Somehow they've all been about Old Testament  heroines. I realized this is completely appropriate considering how prominently women feature in the Good Friday and Easter Gospel accounts.

Giorgio Vasari,
Judith and Holofernes, c.1554.
St. Louis Art Museum.
Those are the ripped shoulders of
a woman saving her people. 
Women are everywhere in the story of Holy Week. For some reason most are named Mary, and they're always present. They have a lot of feelings - there's a lot of crying - but they also get. stuff. done. When they make big displays of foot-anointing emotion, Christ is appreciative, not dismissive.Whether wiping Jesus' pained face, anointing His body, or learning about the Resurrection while the guys cower in fear, these women serve God in powerful ways. Salvation history would not be the same without them.

The ladies of the Old Testament are the same way. It's a shame there aren't more movies about them, because their stories are laden with peril, drama, romance, and even comedic timing. That's Hollywood gold, people! I get why there are no R-rated films where Judith and Jael slaughtering enemy generals, but there's a lot of untapped cinematic potential.

At a church gathering last weekend, I was astonished how many people were unfamiliar with the story of Esther, another brave woman who rescued her people from destruction. So here are recaps of four movies that do exist about Ruth and Esther. Their books of the Bible involve women in unconventional families navigating assimilation, inter-cultural marriages, legal loopholes, family loyalty, deep devotion, and life-and-death situations.

Alexandre Cabanel,
Ruth glanant dans les champs de Booz, (1886),
Musée Garinet, Chalon-En -Champagne.
Ruth dates back to the time of the Judges - she's King David's great-grandmother! She's also the first convert in the Bible. Born in Moab, she marries into an Israelite immigrant family. After famine kills all the men in the family, Ruth sticks by her mother-in-law Naomi, proclaiming "Your people will be my people, and your God will be my God." What are two widows to do? Head back to Bethlehem, where Ruth finds love with grain farmer Boaz. Another distant relative attempts to claim Naomi and Ruth's estate, but God's providence wins out in the end.


Creative License:
This film imitates the epic visual style of The Ten Commandments, and gets very creative with Ruth's backstory. Young Ruth is content living in the temple of Moab's Aztec-like child-sacrificing god, until she engages in some playful theological banter with Malon, a Jewish silversmith. He awakens her heart to God's law, but Moab's rulers are obviously not pleased by her new skepticism of their religion. After the authorities kill the men of Malon's family, Ruth and Naomi set out for Bethlehem. There, they find the kindness of Boaz but also a rival suitor and some neighbors who aren't crazy about the new pagan priestess next door.

Dramatic Themes: 
The Israelites in Moab have assimilated well, perhaps too well. Naomi's son Chilion boasts of how well he and his Moabite wife Orpah are accepted in society. Unfortunately, human sacrifice is accepted in that society. When Malon objects, his family literally says, "C'mon, you know the Moabites are sensitive about their human sacrifice."
The law and its demands are key. Malon gives Ruth a pendant of the 10 Commandments, but later the people of Bethlehem put her on trial for her pagan history. 

Huh? moments: 
Ruth spends her vestal virgin childhood in what is basically a glam convent. Seriously. She and the other girls wear matching outfits borrowed from Katy Perry. Women in long black veils oversee them and teach them to memorize prayers. Is this some anti-Catholic bias? Also, their god looks like a character from the Far Side.
Boaz is sadly less handsome than the ill-fated Malon. His tunics with thigh-high slits don't help matters.

The King of Moab inspects the glam convent. 
Overall rating: 
3.5 out of 5. 1950s silliness aside, the movie has a good pace and draws you in. If you overlook the creative additions, it's not a bad retelling of Ruth's story. I found it genuinely inspiring. 


Creative license:
Grandpa Obed narrates the story of Ruth and Naomi to a teenage David who just can't get his slingshot aim right. Naomi and her family continue to trust God, even though things look bleak and their Moabite neighbors say the gods are cursing them. (Orpah's mom is particularly obnoxious.) Both of Naomi's sons die onscreen, then Ruth and Orpah argue about whether to stay with their mother-in-law.

Dramatic Themes:
This is a matriarchal society, no doubt. Most lines are spoken by female characters, and their relationships are at the forefront. Naomi is the real protagonist of this adaptation, dispensing motherly life advice constantly. The action moves at a glacial pace, mostly because all the women take forever to finish talking about their feelings.
Huh? moments:
Costumes and sets are pretty amateur- a table is clearly a sheet of plywood, "grain" is a straw bale from a farmer's market, wooden spoons came in a 4-pack at Wal-Mart, women are all wearing mascara and mauve lipstick under their makeshift veils.
When Ruth goes off to woo Boaz at the harvest festival, Naomi gives her a "beautiful new dress" that looks like a hideous striped vest.
Pentecostal music artist Carman makes a "celebrity" cameo as Boaz. His 1980s "Sunday's On the Way" album is a cult favorite in my family, but here he looks like a skeezy lounge singer wearing Mardi Gras beads.
Overall rating:
1 out of 5. The sincerity and earnestness of this production cannot, unfortunately, hide its poor production values and bad acting. If I saw this production in a church hall, I'd be impressed; as a feature film it's unwatchable. I had to skip ahead in 20 minute increments so Naomi would get to the point. Maybe a Sunday school class could overlook the glaringly modern language and lip gloss, but they would still get bored. 

Edwin Long,
Esther, 1878,
Private Collection.
The book of Esther essentially tells two stories about Israel's Babylonian exile and diaspora. One involves political scheming and the other reads like a fairy tale.  ived a fairy tale-like story . The tale begins with some flat-out chauvinism: Queen Vasti refuses to appear before the King Ahasuerus' drunk friends, so his advisers have him divorce her. Jewish orphan Hadassah/Esther is among the young women chosen for the "find a new queen" beauty pageant. After a year-long makeover, she captures Ahasuerus' affections, but keeps her Jewish identity secret. 
Meanwhile, her cousin and foster father Mordecai has saved the king from an assassination attempt. Unfortunately, refusing to bow to ambitious courtier Haman has also won him a mortal enemy. For revenge, Haman orders extermination of all the Jews. Esther risks her life by going before Ahasuerus unbidden to expose Haman's plot and plea for mercy. She swoons, the king listens, Haman is defeated with some deliciously poetic justice, and the Jews are saved. The holiday Purim celebrates this every year.  

Esther: The Girl Who Became Queen (2000)

Creative license:
Yes, this is a Veggie Tales video. There are singing vegetables. Haman wears a pinstripe suit, Vashti gets thrown out for refusing to make the king a sandwich at 3 a.m, and traitors are banished to the Island of Perpetual Tickling. It's delightful.

Dramatic Themes:
The goodfella narrator starts off by talking about destiny and greatness. Young Esther is confused about her sudden destiny as queen, and begs God to show her what the point of all this is.
Since this is for young kids, the script downplays the romance. Esther is chosen because she sings well in the talent portion of the queen pageant. Her only affectionate moment with the doofus king is when he calls her "Queenie-poo."
Did I mention the gangster accents? Haman's beef with Mordecai is presented as a fight between two "families." The infamous Pea-oni brothers try to kill the King by dropping a piano on him.
Huh? moments:
Again, this is a Veggie Tales video. A scene of Haman and the King playing Trivial Pursuit while eating Chinese take-out at Esther's feast is just one of the apocryphal moments. If this bothers you, there is a chance you might take life too seriously.
Overall rating: 
4 out of 5. The colorful insanity is fun and good-natured, while the plot genuinely sticks to the main events of the Biblical account. The Book of Esther will sound very familiar to kids once they can read it for themselves.

One Night With the King (2006) 

Creative license:
This is a pretty faithful retelling of the Book of Esther that ramps up the political intrigue aspect. Minor characters get much more screen time, like the head eunuch who favors Esther. Many scenes were filmed in India, so there are lots of colorful textiles.
Despite its sensual-sounding title, this film tells a very G-rated love story fraught with the mis-communication common in romantic comedies. Esther longs to visit Jerusalem, but her priorities quickly change when she meets Fabio-like King Xerxes. Then he sees her sneaking off to meet Mordecai and assumes she's cheating, while she worries that he will cast her off like Vashti. (They should have addressed that in Pre-Cana.) Is their love doomed?

Dramatic Themes:
Again, Esther's story evokes musings on destiny and greatness. Our heroine is really named Hadassah, but Morcedai gives her a Persian name to disguise her Jewishness in the palace. Later she observes that Shadrach, Meshach, and Abednego, and even Jacob, were given new names.
The Persian Jews struggle with how much to adopt their country's ways. A visitor from Jerusalem even asks if Mordecai has sold out.
The script links Esther's secret Judaism to her necklace etched with anachronistic stars of David. It's a hokey plot device that distracts from the original drama of Haman's comeuppance.
Huh? moments:
In the biblical account Esther and Mordecai have a friend among the palace eunuchs who delivers messages for them. The script writers achieve this by having Esther's sort-of boyfriend get rounded up and castrated in a palace hiring surge. It's awkward when he begs her to escape with him and she shoos him away. (It's also incredibly awkward to explain eunuchs to your 12-year-old brother during a movie.)
Much is made of Persia's Greek enemies and their dangerous "democracy." Haman warns an angry mob that both Jews and Greeks claim "All men are created equal." I could go on all day about this historic oversimplification, but I'll spare you.
There are several notable cameos, including Omar Sharif and two LOTR alumni. Peter O'Toole gets top billing but only appears for about 30 seconds as the prophet Samuel. He spars with King Saul and then hacks the defeated King Agag apart offscreen. (It's in the Bible. Really.)
There are also some crazy hats. 
Overall rating: 3.5 out of 5. Its has a lower-budget indie feel, a cartoonishly evil villain, and too much narrative padding, but this film is still pretty to look at and heartwarming to watch. All the main elements of the Esther story are there. A confirmation class would not get bored watching.

So this Holy Week, as we sing the Stabat Mater and remember the women who mourned Christ, think of the long line of brave women who prefigured them. We daughters of Eve and of Mary have a rich heritage of love, devotion, and courage. That really ought to be on movie screens more often. 

Wednesday, September 21, 2011

Long Advent Season of the Heart


“I am the Savior of all people, says the Lord. 
Whatever their troubles, I will answer their 
cry, and I will always be their Lord.”
 - Mass entrance Antiphon for September 18

It is a fact universally acknowledged that the road to romantic happiness can be a long one. Ask any single person in their twenties, and they'll tell you of lonely wonderings when/if they will find "true love." I think this is especially true for young Catholics. If you place a high value on self-giving love and marriage as a sacrament, it's hard to feel somewhat powerless in your wait for that vocation to become reality.

Sometimes there is the temptation to complain "Why me?" or "Why not me?"
"Hey God, I go to daily Mass, I'm chaste. So why am I still waiting for true love while everyone on my Facebook feed gets married and has babies?"
"Why is my relationship hampered by distance, while that couple lives in the same town and get to see each other every day?"
"Why do I see friends zip to the altar through whirlwind courtships, only to have graduate school and finances delay my dreams?"
(Edit: I took out that last hypothetical sentence about break-ups, because it gave the very false impression that The Beau and I are through.)

It's possible to rejoice in friends' happiness and still feel a cruel twinge of sorrow that your turn hasn't come yet. For me, social media updates can be a slippery slope into envious comparisons. This Sunday's readings were a good reality check. Look at the parable of the vinyard workers - does it matter what God gives to other people? No.

The lesson of that parable in Matthew's Gospel is clear - stop looking around to check out what everyone else has. That makes you forget what you do have. Life is not a race, or a competition. God will give you what He has promised, and that is all you ever need.

This first reading, from Isaiah 55, had a similar sentiment.


For my thoughts are not your thoughts,nor are your ways my ways, says the LORD.


That statement is not a boast, but a reassurance. God has a plan beyond what our feeble minds and hearts can see at the moment.







Thursday, April 21, 2011

The Cross, Conversion, and Chippendale Chairs

I've really enjoyed following the Bright Maidens' Lenten blog series, especially this week's installment about conversion. I've had conversion on the brain lately since I've been following Kassie, Brit, and Kortni's poignant journeys into joining the Catholic Church this Easter. Being a cradle Catholic, I never had the experience of a dramatic leap into the truth, but lately I've been realizing that God requires a change of heart at every stage of life.
Elizabeth's Bright Maidens post really resonated with me since she described the stage that I'm grappling with right now - figuring out how to balance my faith and my professional life. When I interviewed at my grad program, I described my volunteer work with the poor and my love for fancy museums as "two halves of me that I'm trying to reconcile." Two years later, that is still a work in progress.

One of the new lambs on the museum grounds
When you spend most hours cramming information into your brain, there is little energy left to worry about your soul. Sometimes it's hard to see life beyond stacks of books and papers. I feel like to much of academia, my church-going is just a quaint hobby that makes me really good at art history trivia. It's only slightly more relevant to modern society than Civil War re-enacting, and probably less palatable since re-enactors don't ever tell people their choices are immoral. What do my beliefs have to offer modernity except the Cross and self-denial? That's a hard sell, and its discouraging. I've gotten a little too jaded about how crazy and kitchy Christianity must seem to outsiders.

I'm startling to realize that this is another conversion opportunity. I have to decide to be Catholic not because it's what my parents taught me, or because I'm afraid of hell, or even because I loved my college campus ministry community. No, it has to be something I choose myself, today, for the way I live right now. But exactly how do I make that choice?
Lamb of God headstone at my Delaware parish

God gave my jumbled mind and heart a breakthrough this Tuesday as I sat with the daily readings in my local parish. My over-academic brain noticed that there was a lot of material culture in the Gospel accounts of Holy Week - clothes, dishes, donkeys, attic spaces, plants, money. Maybe the two halves of me weren't so separate after all...

I thought about all the reasons why Catholics are supposedly weird:
- We talk about people and things most people have never heard of. Oh wait, that's what my classmates and I do all day long. Normal people don't spend car rides discussing Chippendale chairs, museum ethics, vernacular architecture theories, or Jackson Lears' conception of antimodernism.
- We have goofy rituals and traditions that are off-putting to outsiders. Well, at grad school dinner parties we flip over chairs, climb under tables, and analyze the china. (Seriously, I did that last weekend.)
- Then there's that sticky final issue of poverty and self denial. Frankly, I can't think of a better way to describe getting a master's degree or PhD. Case closed.

late 1800s embroidered Lamb of God burse at Church of the Transfiguration, NYC
Really, the two halves of me work best when they are in tandem. Catholicism has given me an advantage as an historian, and not just in the trivia department. When I look at the world through the eyes of faith, I can see connections everywhere - the hand of Providence in good things, Old Testament allusions in the Mass, words of hymns that pertain to certain moments, experiences that I can compare to events in Christ's life. The entire world is bound together by the love of God, the waters of Baptism, the tangible mystery that is the Eucharist. When I was at Mass tonight, I was connected to thousands of people who lived centuries before me.

There are times when studying history feels similar. Sometimes my mind envisions a timeline of people and events stretching back through the decades, connected by threads of causes and ideas. Good history books weave a complex web of lives and stories to help us understand how the world got the way it is now. The best way I can try to explain it is a kind of 3-D or polarized filter, and you have to make a point to turn it on.

Today, Holy Thursday, I turned in my master's thesis about Episcopal vestments. The whole thing is secretly about the allure of the Eucharist, so it's perfect that it ended on the day Christ instituted that very sacrament. Maybe God is trying to tell me something.

For the rest of the Triduum, I'll be praying for the converts waiting to be Confirmed, and working on my own conversion. I'll be praying for God to open the eyes of my heart, so I can see the connections that have yet to be made.

Tuesday, March 22, 2011

Consider the lilies...at Target

It's been a rough week here in thesis-land, especially when I got rejected for a paid summer internship that seemed like the perfect deal. I could have increased skills I already have, I could have worked in DC, I could have lived with my parents and saved buckets of money. But now I won't, and I'm back in the pit of mystery that is the job market.

There are some Bible verses very appropriate for this stage of grad student life
"Is not life more than food and the body more than clothing? So do not worry and say, 'What are we to eat?' or 'What are we to drink?' or 'What are we to wear?
(Matthew 6: 25, 31)


If God can look after the birds in the sky and clothe the lilies (and spring crocuses) of the field, then surely he will look after those of us foolish enough get advanced degrees in the liberal arts. I'm grateful for the small mercies that have come my way this week, like how I made an appointment today on time despite having to put air in my tires first. Or how when I went to exchange a needed pair of shoes at Target for a smaller size they had been marked down $6. It was like a little pat on the back from God, saying that things are going to be ok.